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DESCRIPTION

The “Tríptico Infame” (“Infamous Triptych”) is a look at the colonial devices, the technologies of confession and the rigid discipline that operated in the production of a redemptive iconography. The pieceS intends to establish a hybrid relationship between severity and lightness, between sculpture and furniture, from a division between that which forms the order of function and that which, desecrating it, establishes dialogues not only with decolonial hyphenation, but also with contemporary aesthetic discourses.

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